Patrick Savage's repositories
moralizing-gods
Code used for analyses in Whitehouse, Francois, Savage, et al., "Complex societies precede moralizing gods throughout world history"
melodic-evolution
Data and code for Savage, Passmore, Chiba, Currie, Suzuki, & Atkinson "Sequence alignment of folk song melodies reveals cross-cultural regularities of musical evolution"
cantometrics
Source code and data to recreate Fig. 2 (Cantometric world map) from "Alan Lomax's Cantometrics Project: A comprehensive review" (Savage, 2018, Music & Science)
copyright
Source code and data for the analyses reported in: Savage, P. E., Cronin, C., Müllensiefen, D., & Atkinson, Q. D. (2018). Quantitative evaluation of music copyright infringement. In A. Holzapfel & A. Pikrakis (Eds.), Proceedings of the 8th International Workshop on Folk Music Analysis (FMA2018) (pp. 61–66). Thessaloniki, Greece. Retrieved from http://fma2018.mus.auth.gr/files/papers/FMA2018_paper_4.pdf
moralizing-gods-re-reanalysis
Reanalysis code for Savage et al.'s (2019) modification of Beheim et al. (2019)
circumpolar-music
Data and code underlying: Savage et al. (2015). How “circumpolar” is Ainu music? Musical and genetic perspectives on the history of the Japanese archipelago. Ethnomusicology Forum, 24(3), 443–467. https://doi.org/10.1080/17411912.2015.1084236
contour
R code for analyses reported in Savage, P. E., Tierney, A. T., & Patel, A. D. (2017). Global music recordings support the motor constraint hypothesis for human and avian song contour. Music Perception, 34(3), 327–334.
music-gene
Source code and data for the analyses reported in: Brown, S., Savage, P. E., Ko, A. M.-S., Stoneking, M., Ko, Y.-C., Loo, J.-H., & Trejaut, J. A. (2014). Correlations in the population structure of music, genes and language. Proceedings of the Royal Society B: Biological Sciences, 281(1774), 20132072.