The mmand
R package provides tools for performing mathematical morphology
operations, such as erosion and dilation, or finding connected components, on
arrays of arbitrary dimensionality. It can also smooth and resample arrays,
obtaining values between pixel centres or scaling the image up or down
wholesale.
All of these operations are underpinned by three powerful functions, which
perform different types of kernel-based operations: morph()
, components()
and resample()
.
A test image of a jet engine fan is available within the package, and will be used for demonstration below. It can be read in and displayed using the code
library(mmand)
library(png)
fan <- readPNG(system.file("images", "fan.png", package="mmand"))
display(fan)
Mathematical morphology
is an image processing technique that can be used to emphasise or remove
certain types of features from binary or greyscale images. It is classically
performed on two-dimensional images, but can be useful in three or more
dimensions, as, for example, in medical image analysis. The mmand
package can
work on R arrays of any dimensionality, including one-dimensional vectors.
The basic operations in mathematical morphology are erosion and dilation. A simple one-dimensional example serves to illustrate their effects:
x <- c(0,0,1,0,0,0,1,1,1,0,0)
k <- c(1,1,1)
erode(x,k)
# [1] 0 0 0 0 0 0 0 1 0 0 0
dilate(x,k)
# [1] 0 1 1 1 0 1 1 1 1 1 0
The erode()
function "thins out" areas in the input vector, x
, which were
"on" (i.e. set to 1), to the point where the first of these areas "disappears"
entirely. Conversely, the dilate()
function expands these regions into
neighbouring pixels.
The vector k
here is called the kernel or structuring element. It
effectively controls the region of influence of the operation when it is
applied to each value.
Derived from these basic operations are the opening and closing functions. These apply both basic operations, using the same kernel, but in different orders: an opening is an erosion followed by a dilation, whereas a closing is a dilation followed by an opening.
opening(x,k)
# [1] 0 0 0 0 0 0 1 1 1 0 0
closing(x,k)
# [1] 0 0 1 0 0 0 1 1 1 0 0
Notice that, in this case, the closing gets us back to where we started, whereas the opening does not. This is because the initial erosion operation removes the first "on" block entirely, so it cannot be recovered by the subsequent dilation.
Mathematical morphology is not limited to binary data. When generalised to greyscale images, erosion replaces each nonzero pixel with the minimum value within the kernel when it is centred at that pixel, and dilation uses the maximum. For example,
x <- c(0,0,0.5,0,0,0,0.2,0.5,0.3,0,0)
erode(x,k)
# [1] 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.2 0.0 0.0 0.0
Notice that the remaining nonzero value is now reduced from 0.5 to 0.2, the minimum value across the original pixel and its neighbours on either side. With a wider kernel, its final value would have dropped to zero.
The effect is more intuitively demonstrated on a real two-dimensional image:
k <- shapeKernel(c(3,3), type="diamond")
display(erode(fan, k))
Notice that darker areas appear enlarged. In this case the kernel is itself a
2D array (or matrix), and unlike the 1D case there is a choice of plausible
shapes for a particular width. The shapeKernel()
function will create box,
disc and diamond shaped kernels, and their higher-dimensional equivalents.
Using a wider kernel exaggerates the effect:
k <- shapeKernel(c(7,7), type="diamond")
display(erode(fan, k))
In the case above, the diamond shape of the kernel is obvious in areas where the kernel is larger than the eroded features.
Note that the kernel may also be anisotropic, i.e. it may have a different width in each dimension:
k <- shapeKernel(c(7,3), type="diamond")
display(erode(fan, k))
The effect of dilation is complementary, shrinking dark regions and enlarging bright ones:
k <- shapeKernel(c(3,3), type="diamond")
display(dilate(fan, k))
In this case the low-intensity and narrow handwriting towards the middle of the fan has all but disappeared.
The basic operations can be combined together for other useful purposes. For example, the difference between the dilated and eroded versions of an image, known as the morphological gradient, can be used to show up edges between areas of light and dark.
k <- shapeKernel(c(3,3), type="diamond")
display(dilate(fan,k) - erode(fan,k))
The Sobel filter has a similar effect.
display(sobelFilter(fan))
A loosely related operation is kernel-based smoothing, often used to ameliorate noise. In this case the kernel is used as a set of coefficients, which are multiplied by data within the neighbourhood of each pixel and added together. For these purposes the kernel should usually be normalised, so that its values add up to one.
Gaussian smoothing is a typical example, wherein our coefficients are given by
the probability densities of a Gaussian distribution centred at the middle of
the kernel. The mmand
package provides the gaussianSmooth()
function for
performing this operation. Below we can see an example in one dimension, where
we create some noisy data and then approximately recover the underlying cosine
function by applying smoothing.
x <- seq(0, 4*pi, pi/64)
y <- cos(x) + runif(length(x),-0.2,0.2)
y_smoothed <- gaussianSmooth(y, 6)
plot(x, y, pch=19, col="grey50", xaxt="n")
axis(1, (0:4)*pi, expression(0,pi,2*pi,3*pi,4*pi))
lines(x, y_smoothed, lwd=2)
It should be borne in mind that the second argument to the gaussianSmooth()
function is the standard deviation of the smoothing Gaussian kernel in each
dimension, rather than the kernel size.
On our two-dimensional test image, which contains no appreciable noise, the effect is to blur the picture. Indeed, this operation is sometimes called Gaussian blurring.
display(gaussianSmooth(fan, c(3,3)))
An alternative approach to noise reduction is
median filtering, and mmand
provides another function for this purpose:
k <- shapeKernel(c(3,3), type="box")
display(medianFilter(fan, k))
This method is typically better at preserving edges in the image, which can be desirable in some applications.
Every operation described so far has been based on mmand
's flexible morph()
function, which uses a kernel represented by an array to select pixels of
interest in morphing the image, optionally using the kernel's elements to
adjust their values, and then applying a merge operation of some sort (sum,
minimum, maximum, median, etc.) to produce the pixel value in the final image.
In every case the result has the same size as the original data array.
In the next section we will examine operations that change the array's dimensions, but first we consider another useful operation: finding connected components. This is the task of assigning a label to each contiguous subregion of an array.
To demonstrate, we start by first thresholding the fan image using k-means
clustering (with k=2). The package's threshold()
function can be used for
this:
fan_thresholded <- threshold(fan, method="kmeans")
display(fan_thresholded)
We can then find the connected components. In this case the kernel determines which pixels are deemed to be neighbours. For example,
k <- shapeKernel(c(3,3), type="box")
fan_components <- components(fan_thresholded, k)
Now we can visualise the result by assigning a colour to each component.
display(fan_components, col=rainbow(max(fan_components,na.rm=TRUE)))
As we might expect, the largest components—which label only the "on" areas of the image—correspond to (most of) the ring of fan blades, and the bright part of the central hub.
This is can be a useful tool for "segmentation", or dividing an image into coherent areas.
The final category of problems that mmand
can solve uses a different type of
kernel to resample an image at arbitrary points, or on a new grid. This allows
images to be resized, or arrays to be indexed using non-integer indices. The
kernels in these cases are functions, which provide coefficients for using data
at any distance from the new pixel location to determine its value.
Let's use an example to illustrate this. Consider the simple vector
x <- c(0,0,1,0,0)
Its second element is 0, and its third element is 1, but what is its value at index 2.5? One answer is that it simply doesn't have one, but if these were samples from a fundamentally continuous source, then there is conceptually a value everywhere. We just didn't capture it. Our best guess would have to be that it is either 0 or 1, or something in between. If we try to use 2.5 as an index we get the value 0:
x[2.5]
# [1] 0
(R simply truncates 2.5 to 2 and returns element 2.) The resample()
function
provides a set of alternatives:
resample(x, 2.5, triangleKernel())
# [1] 0.5
Now we obtain the value 0.5, which does not appear anywhere in the original,
but it is the average of the values at locations 2 and 3. In this case,
therefore, resample()
is performing linear
interpolation.
The triangle kernel is just one possible function for interpolating the data.
Another option is the box kernel, generated by boxKernel()
, which simply
returns the "nearest" value in the original data. Yet another option is
provided by mitchellNetravaliKernel()
, or mnKernel()
for short, which
provides a family of cubic spline kernels proposed by Mitchell and
Netravali. We can see the profile of
any of these kernels by plotting them:
plot(mitchellNetravaliKernel(1/3, 1/3))
In higher dimensions, the resampled point locations can be passed to
resample()
either as a matrix giving the points to sample at, one per row, or
as a list giving the locations on each axis, which will be made into a grid.
A common use for resampling is to scale an image up or down. The rescale()
function is a convenience wrapper around resample()
for scaling an array by a
given scale factor. Here, we can use it to scale a smaller version of the fan
image up to the size of the larger version:
library(png)
fan_small <- readPNG(system.file("images", "fan-small.png", package="mmand"))
dim(fan_small)
# [1] 128 128
display(rescale(fan_small, 4, mnKernel()))
The scaled-up image of course has less detail than the original 512x512 pixel version, since it is based on 16 times fewer data points, but the general features of the fan are perfectly discernible.